diff --git a/README.md b/README.md
index 41742c1e..3de69438 100644
--- a/README.md
+++ b/README.md
@@ -13,11 +13,10 @@ Cavern is a fully adaptive object-based audio engine and upmixer without limitat
 * Unity-like listener and source functionality
 * Ultra low latency, even the upconverter can work from as low as one sample per frame
 
-## Helpful documents
-* [Calibration process](./docs/Calibration%20process.md) for traditional or Cavern-only rooms
-* [Cavern DCP channel order](./docs/Cavern%20DCP%20channel%20order.md) compared to DCP standards
-* [Limitless Audio Format](./docs/Limitless%20Audio%20Format.md) for storing Cavern mixes in a CPU-effective spatial format
-* [Virtualizer repository](https://github.com/VoidXH/HRTF) which contains the raw IR measurements and detailed information about their use
+## User documentation
+User documentation can be found at the [Cavern documentation webpage](http://cavern.sbence.hu/cavern/doc.php).
+Please go to this page for basic setup, in-depth QuickEQ tutorials, and
+command-line arguments.
 
 ## How to build
 ### Cavern
@@ -31,6 +30,16 @@ the CavernUnity DLL project to UnityEngine and UnityEditor. Add these files from
 your own Unity installation as references. They are found in Editor\Data\Managed
 under Unity's installation folder.
 
+### Cavernize Lite
+This is a Code::Blocks project, set up for the MingW compiler. No additional
+libraries were used, this is standard C++ code, so importing just the .cpp and
+.h files into any IDE will work perfectly.
+
+## Development documents
+* [Cavern DCP channel order](./docs/Cavern%20DCP%20channel%20order.md) compared to DCP standards
+* [Limitless Audio Format](./docs/Limitless%20Audio%20Format.md) for storing Cavern mixes in a CPU-effective spatial format
+* [Virtualizer repository](https://github.com/VoidXH/HRTF) which contains the raw IR measurements and detailed information about their use
+
 ## Disclaimers
 ### Code
 Cavern is a performance software written in an environment that's not ready for
diff --git a/docs/Calibration process.md b/docs/Calibration process.md
deleted file mode 100644
index 65321f69..00000000
--- a/docs/Calibration process.md	
+++ /dev/null
@@ -1,42 +0,0 @@
-# Cavern calibration process
-Cavern's exact calibration process depends on the system it's used on. However,
-using pink noise for frequency analysis is strongly discouraged, as the error
-margin is too large. A full range frequency sweep for measurement, and a
-linear-phase parametric EQ instead of a third-octave one should be used for
-calibration.
-
-## Regular theatres and studios
-These are the recommended settings for Cavern DCP creation and playback. The
-center of the microphone placement should be at 2/3 of the room from the screen,
-in the center. The correct microphone aligment is behind a seat, but at least
-the size of the microphone higher than the top of the seat, facing upwards. The
-room should be equalized to the X-curve (-3 dB/octave above 2 kHz), at the
-following peak sound pressure levels.
-
-### Peak channel sound pressure levels (-20 dB FS)
-In regular theatres, Cavern-ready systems, even with custom layouts, must match
-the standard levels.
-
-| Channel                                             | Level       |
-|-----------------------------------------------------|:-----------:|
-| Screen channels (max. 45° from center on both axes) | 85 dB       |
-| Low frequency effect channels                       | 95 dB       |
-| All other channels                                  | 82 dB       |
-
-## Cavern theatres and studios
-For Cavern-only content creation and playback, the channels can only be
-calibrated with a linear-phase parametric EQ, based off a frequency sweep
-reading with at least 7 microphones positioned around the reference listening
-position, to a flat response with the error margin of 0.2 dB between 100 Hz and
-16 kHz (25 to 120 Hz for LFE channels). The use of Cavern QuickEQ for
-measurement and configuration file generation is hardly recommended.
-
-### Peak channel sound pressure levels (-20 dB FS)
-For a Cavern theatre, each individual channel must be capable of outputting 105
-dB SPL at the center of calibration. The channel array peak is also the same, it
-must be enforced in the content creation process by the authoring tools.
-
-| Channel                                             | Level       |
-|-----------------------------------------------------|:-----------:|
-| Full range channels                                 | 85 dB       |
-| Low frequency effect channels                       | 95 dB       |
\ No newline at end of file